This was a wonderful project that came out of a proposal from Musikmuseet in Frederiksberg, Denmark.
We addressed their desire for increased visitor interaction by building a replica of an instrument in their collection that the public could play. The instrument we chose was slightly taller than the average double bass, had only one string, and sounded like a trumpet: The Tromba Marina.
We made the instrument more playable by feeding sound from the bridge, electronically, back into the body. We also simulated the sound made by the instrument’s vibrating bridge using pure data.
Posted in Peter's Lab | Comments Off on The Tromba Moderna
ACPAD – This new interface for musical expression looks like a great deal of fun. In fact it is very similar to an idea I had recently had, and was considering mounting to my short scale bass guitar. I eventually decided to put that bass up for sale and watch an episode of Star Trek Voyager instead. This was no great loss to the music world. This device is clearly far more advanced than anything I was dreaming of. But, I wish they had gone in a fundamentally different direction.
There is a tendency, when music instruments and tools arise from technology, for the inventive mind to find ways to replace musicians, rather than empowering them. Here we see a guitarist performing the roll of guitarist, drummer, keyboard player and programmer. It’s very impressive, and will no doubt facilitate the production of fresh music. But would it not be more exciting if the interface was just controlling the sound of the guitar. Allowing varying amounts of delay, distortion, portamento and so on. Yes, these effects can be produced with the use of pedals, but I suspect with less freedom and control.
A great example would be Future man, seen here playing his crazy home made percussion instrument that he started work on in 1988. It’s not a world away from Acpad, but I feel there is a stark contrast in the philosophical approach. Roy Wooten, is a musician first, then an inventor, and he explains something of that process here.
For me, the most exciting thing about music is the interplay between musicians. Let’s not use technology to kill the band!
Synthesizer interfaces using laser projection are nothing new. Jean Michelle Jarre was famous for playing around with such devices back in the eighties when I was a kid. Lenovo are not the first tech company to play around with interactive projected control surfaces either. This review (below) would suggest that they have not cracked it. But I still want one.
Being able to project video or a presentation on a wall from your phone sounds like fun. Being able to flip that around and project a computer keyboard onto the table sounds like even more fun. Being able to project a piano keyboard onto a table top and play some music with tolerably low latency sounds like as much fun as you could have from a mobile device. So I’m going to be watching this market very closely. My next smartphone might not be the S6 edge after all!
Dundee star band Havana Swing also feature presenting their feelgood mix of Django Reinhardt and 30s jazz. Singers Alison Affleck and Cindy Douglas, swing band The Big Easy and blues guitarist Sandy Tweeddale are more major names from the jazz and blues world coming to the Ferry.
Whatever force responsible for this triumphant triumvirate culminated in a grand and glorious documentary film, Keep On, Keepin’ On – at the Ritz at the Bourse beginning on November 21st, which depicts the life and times of the celebrated trumpet and flugelhornist Clark Terry and his heartwarming relationship with 13-year-old blind pianist, Justin Kauflin.